emerge

Experience the work of twelve local emerging artists.

Zoe Crichton

Through photography and mixed media, Zoe explores the interplay of movement and stillness, drawing attention to fleeting moments within familiar places. Her work is informed by her local environment and personal experiences, exploring memory, place and the formative spaces of her son’s childhood. Merging realism and abstraction, she works with light, texture and movement to capture the quiet beauty of everyday life. The works included in Emerge reflect on the time shared through walks with her family and their dog Billie, noticing the changing light, landscape and small moments that become part of a shared sense of place.

COME HOME AND YOU’LL SEE ‍Oil on prepared wood panel ‍ ‍91×62cm Zoe Chrichton $800

FILL YOU IN ‍ ‍ Oil and pastel on prepared wood panel ‍ ‍92.5×60.5cm Zoe Chrichton $800

FREYA ANTHONY

Freya Anthony is a year 12 student at Willunga Waldorf School who has spent the year learning how to silversmith and create handmade jewellery. She uses sterling silver and stones, turquoise, fossilised corals, shells and pearls. Her jewellery is inspired by the beach and nature and embraces imperfaction in her rustic handmade style.

All pieces NFS.

LUCY AMINA CERAMICS

Lucy is an emerging ceramic artist creating hand-built forms experimenting wiht carving and glazes. She is inspired by shapes, movement and colour she finds in nature.

All works are glazed ceramic.

EDIE PICKERING

Edie is a year 12 student at Willunga Waldorf School who has spent the yar building a darkroom to explore the art of photography.

These photographs are a few of he results.

ARCHIE PICKERING

Everybody dances and everybody watches..

ELECTRIC Ink on Card Framed ‍ ‍48×48cm Archie Pickering $150 SOLD

WAITING ‍ ‍Ink on paper Millie Nearmy $65

THE Ink on Card Framed 27×27cm Archie Pickering $100

GATHERING FOUNDATION Acrylic on Canvas 6×8cm Amanda Acton $100

THOUGHTS IN FLIGHT Acrylic on Canvas 6×8cm Amanda Acton $100

COLLECTING MEMORIES Acrylic on Canvas 6×8cm Amanda Acton $100

DEEP IN CONTEMPLATION Acrylic on Canvas 22×22cm Amanda Acton $650

LOOKING OUT Acrylic on Canvas 6×8cm Amanda Acton $100

MEANDERING THOUGHTS Acrylic on Canvas 6×8cm Amanda Acton $100

TEXTURES OF MEMORY Acrylic on Canvas 6×8cm Amanda Acton $100

Set of 4 “ON THE DANCE FLOOR” $350

SPECTATOR 1 Ink on Card Framed 17.5×17.5cm Archie Pickering $50

My work is concerned with how we negotiate personal identity within modern society.

I attempt to locate those I paint.

helo

RESIST ‍ ‍Oil on board Millie Nearmy $900

WASHING‍ ‍Ink on paper Millie Nearmy $35 each

REMEMBERING LOLO‍ ‍Watercolour on paper Maiko Sentina $350

THE OLD MAN Watercolour on paper Maiko Sentina $500

BLACK-SHOULDERED KITE NO.1 ‍ ‍Pastel on paper Simon Brealey $1100

AUSTRALIAN KESTREL ‍ ‍Pastel on paper Simon Brealey $1100

THE DRUMMER ‍ ‍Mixed media on canvas Chaska Glockner-Karo $300

DANCE Ink on Card Framed 27×27cm Archie Pickering $100

PEBBLES AND FOAM Acrylic on Canvas 6×8cm Amanda Acton $100

HOLDING PEACE Acrylic on Canvas 6×8cm Amanda Acton $100

SPECTATOR 2 Ink on Card Framed 17.5×17.5cm Archie Pickering $50

MILLIE NEARMY

REMAINDER ‍ ‍Oil on board Millie Nearmy $900

WATCHING ‍Ink on paper Millie Nearmy $65

AMANDA ACTON

FLOOR Ink on Card Framed 27×27cm Archie Pickering $100

I am drawn to bright colours and artwork that pops; detailed pieces and imagery that tells a story. Working primarily in acrylics I build up soft layers to bring small snapshots to vibrant life. The small canvas is an invitation to pause and delight in the tiniest of moments. They are an expression of finding joy in the little things.

A DANGEROUS CURIOSITY Acrylic on Canvas 22×22cm Amanda Acton $650

EMOTIONAL RANGE Acrylic on Canvas 22×22cm Amanda Acton $450

PEACEFUL CONTEMPLATION Acrylic on Canvas 6×8cm Amanda Acton $100

TAKING ROOT Acrylic on Canvas 6×8cm Amanda Acton $100

QUIET SURRENDER Acrylic on Canvas 6×8cm Amanda Acton $100

TREASURED FIND Acrylic on Canvas 6×8cm Amanda Acton $100

MAIKO SENTINA

These portraits came from an earlier period in my practice, when I was beginning to find my way into watercolour and discovering portraiture as a way of paying attention. Across these works, you can see me moving between observation and experimentation: fromcarefully rendered faces to increasingly loose passages of colour and water, unfinished edges and areas where the paint is allowed to speak for itself. I was asking and trying: what does watercolour do when you stop trying to completely control it?

Through these works, I see the beginnings of questions that continue to shape my practice now: how we encounter another person, what a portrait can hold beyond likeness and how colour and material can communicate something that representation alone cannot. These works mark the point at which portraiture and watercolour began to become my language - and central to my creative practice.

CALM IN THE CHAOS ‍ ‍Watercolour on paper Maiko Sentina $500

ISOLATION Watercolour on paper Maiko Sentina $350

SIMON BREALEY

BLACK-SHOULDERED KITE NO.2 ‍ ‍Pastel on paper Simon Brealey $1100

WEDGE-TAILED EAGLE‍ ‍Pastel on paper Simon Brealey $1100

CHASKA GLOCKNER-KARO

WISHING ‍Ink on paper Millie Nearmy $65

PEBBLES ON THE BEACH Acrylic on Canvas 6×8cm Amanda Acton $100

FINDING JOY Acrylic on Canvas 6×8cm Amanda Acton $100

MAKING FRIENDS Acrylic on Canvas 22×22cm Amanda Acton $650

TELEPATHY ‍ ‍Mixed media on canvas Chaska Glockner-Karo $200

jaz mcshane

This work is one of five layers that together form the final piece of my Visual Arts degree. The five-layer structure was conceived as a visual record of my creative process, offering the audience insight into my development, similar to the manner of an art journal. Collectively, the layers reflect the techniques, skills, processes and influences that shaped my practice throughout the process of making.
Layer 3 explores total freedom, artistic spontaneity and intuition. It employs extensive layering of materials and was applied predominantly with my non-dominant (left) hand and blind painting application. This artwork is a self-portrait, created without prior planning, and its expressive quality reflects the sense of freedom I felt during its making

‘THE ARTIST’S PROGRESSION’ - LAYER 3 Mixed Media on canvas Jaz McShane $1600

TAHNAE DAVIDSON-BARTLEY

This wall hanging represents my grandmothers Kullilli Country located in the south-west of Queensland around the township of Thargomindah where Bulloo River runs through. The weaving represents the rich colours of the earth and the muddy waters of the river which supports life in a harsh, semi-arid country. The feathers are from the emu, which was Nanna’s totem.

My Nanna is remembered for her strength, tenacity, and resilience to live her life own her own terms. She was a strong woman who was full of life, and known for her warmth and generosity. When l see emus travelling across a harsh landscape, I think of my grandmother’s journey. This is in honour of her memory.

Materials: Philodendron leaf sheaths, raffia hand-dyed with walnut husks and shells, ethically sourced emu feathers from plumage moult from reputable permit holder.

GRANDMOTHER ‍ ‍Philodendron sheath, pony tail palm leaf, walnut dyed raffia and emu feather Tahnae Davidson-Bartley $750

BLACK-SHOULERED KITE NO.3 ‍ ‍Pastel on paper Simon Brealey $1100

BECOMING Watercolour on paper Maiko Sentina $1370

The pieces represent a part of Simon’s current project, ‘Raptors over Robe’ which aims to record some of the behaviours of the birds of prey he enjoys watching from the area around his home.

ON Ink on Card Framed 27×27cm Archie Pickering $100