current exhibitionS

CALM BEFORE THE STORM BY

STEPHEN TRUTWIN

SATURDAY MARCH 23 TO SUNDAY APRIL 21

Stephen Trutwin , an Adelaide Hills photographer, travelled to Jerusalem and the occupied territory of the West Bank in the first week of October last year, departing Tel Aviv the afternoon before Hamas attacked Israel. Inspired by recent events this is an exhibition of photographs taken in the region at a time of relative peace, but with a brutal war imminent.

Sale proceeds to Medicins sans Frontières

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

MINA TROUNTER…NEENA TROUNTER ( MY COUNTRY, YOUR COUNTRY )

BY PHILLIP ALLEN

SATURDAY MARCH 23 TO SUNDAY APRIL 21

As a senior Aboriginal man from my home country Lutruwita, (Tasmania), land and country is important to me. I am calling my exhibition, Mina Trounter - Neenna Trounter, (My Country - Your Country). I will be presenting some of my favourite places from Lutruwita where I grew up, walked to and visited. I will also be showing some of my favourite places I have visited in South Australia. There will be some quite large canvases to some medium canvases telling stories of travelling across mina trounter and neena trounter.

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

recENT EXHIBITIONS

CLARKE & VADASZ

GREG CLARKE AND LOUISE VADASZ

Experience the joyous paintings of life-long friends and art school contemporaries, Louise Vadasz and Greg Clarke at this year’s Adelaide Fringe. Both artists share a love of painting colourful landscapes and still life drenched in light.

Greg Clarke, who was the Director of the Adelaide Fringe (2011-2015) and Creative Director of the Sydney Gay & Lesbian Mardi Gras (2017-2019) now lives in a subtropical rainforest on the mid-north coast of NSW, where he is focused full-time on his art practice.

Louise Vadasz is a South Australian artist renowned for her stunning impasto paintings of still life and abstract landscapes of the Fleurieu Peninsular painted in rich vibrant colours.

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

TWO FRIENDS, TWO DIMENSIONS

TERRY JOHNSON & JOJO SPOOK

GALLERY 2

BODIES & FICTIONS

VIRGINIA RYAN

TOTEM BY UNION STREET SCULPTORS

UNLIMITED EXPERIMENTATION

BY HENNY VAN DEN WILDENBERG

SPROUT EXHIBITION

by ANNA SMALL & WARREN PICKERING

FLOURISH

A GROUP EXHIBITION

 

THE THERAPEUTIC ARTIST

 

CORNUCOPIA OF ART

FEB 18 to MARCH 19

cornucopia /ˌkɔːnjʊˈkəʊpɪə/ noun - “an abundant supply of good things of a specified kind.”

A Cornucopia of Art celebrates the diversity of contemporary South Australian talent.

Bringing together some of the most exciting artists from the region with works which respond to the immediate environment, to landscapes in SA and beyond and to the personal experiences of the participating artists.

To There and Back by Ken Bonner

JAN 14 to FEB 12

RECONNECT A MINDFUL PHOTOGRAPHY EXHIBITION WITH ARTWORKS COMMUNITY INC

ARTHOUSE STUDIO ARTISTS CHRISTMAS EXHIBITION

POETRY OF THE EARTH

MICHAEL JEFFERY

SALA FESTIVAL 2022

a picture of a room with a black wall

CLOSER TO HOME

Rosemary Gartelmann and Lyn Robins

THE PAINTERS OF THE FLINDERS RANGES

Since 2002 the Painters of the Flinders Ranges have evolved into an eclectic group of professional artists with varying styles and using many different mediums.

Through their  paintings they are able to share their emotional response to the awe inspiring landscape known as the Flinders Ranges, world renowned for its ancient and rugged terrain and for the flora and fauna specific to this region.

LIT

by Warren Pickering and Anna Small

LIT is an exhibition by Warren Pickering and Anna Small of A Small Art Factory. Enlighten your visual senses with the new metal art works that transform into light works in the dark. We can have 30 people at a time in the in the exhibition room and will ask you to be mindful to keep the required social distance from people that are not in your immediate group.

In this exhibition the aim is to explore light, movement and texture. Taking inspiration from nature and the everchanging world around us. Each piece is hand-drawn with engineers chalk onto the metal then cut with a hand held plasma. Even though each piece is designed to ‘change’ with the introduction of light, it is equally a celebration of the dark.

 

GILBERT’S GARDEN - GILBERT DASHORST

Gilbert Dashorst

“When I got the position as the Scientific Illustrator, specializing in the field of Botany, at the State Herbarium of Adelaide and Adelaide Botanic Gardens in 1983, a whole new world opened up for me, the World of Plants.

Whilst recording the plants macro and micro views for the Botanists, I discovered plants’ individual uniqueness.

In this exhibition entitled ‘Gilbert’s Garden’ I have chosen plants that I grow in my garden and I have depicted them in the fine detail I was required to execute for the Herbarium.

I hope through viewing these paintings and drawings you can experience the wonder of the variety of plants in my Garden.”


THE SPACE BETWEEN US: FINDING OUR WAY BACK TO THE PRESENT TONY WILSON

tony wilson

Tony Wilson’s current body of work builds on his ongoing exploration of ‘spaces between’.

Travel is an integral part of Tony’s creative practice, and has recently physically retraced his Italian lineage, through an artist residency in Italy.

This new body of work is an expression of his internal and creative explorations of home, undertaken during this and other travels.

Each piece charts his crossings over spaces: across countries, across time, over waters and between cultures, a mapping of self, spirit, culture and home, of the spaces that divide and connect us all to each other and to ourselves.


MY COUNTRY, MY IDENTITY
SASHA HILL

Sasha Hill’s body of work is a direct expression and transmission of the cultural potency of Country.

Thousands of years of history is embedded in the works, articulating the intergenerational nature of her cultural identity.

The work, placed in a Western exhibition space, allows the audience entry into a tiny slice of Sasha’s inherited spiritual and ecological world views, centred in and emanating from Country, passed down to her by the matriarchs in her family.

Sasha’s cultural role as artist and matriarch, seen through the action of placing paint on canvas to re-tell ancient stories, activates her responsibilities to pass on her inherited systems of living and being.

 

current exhibition

CALM BEFORE THE STORM

BY STEPHEN TRUTWIN

SATURDAY MARCH 23 TO SUNDAY APRIL 21

Stephen Trutwin , an Adelaide Hills photographer, travelled to Jerusalem and the occupied territory of the West Bank in the first week of October last year, departing Tel Aviv the afternoon before Hamas attacked Israel. Inspired by recent events this is an exhibition of photographs taken in the region at a time of relative peace, but with a brutal war imminent.

Sale proceeds to Medicins sans Frontières

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

MINA TROUNTER…NEENA TROUNTER ( MY COUNTRY, YOUR COUNTRY )

BY PHILLIP ALLEN

SATURDAY MARCH 23 TO SUNDAY APRIL 21

As a senior Aboriginal man from my home country Lutruwita, (Tasmania), land and country is important to me. I am calling my exhibition, Mina Trounter - Neenna Trounter, (My Country - Your Country). I will be presenting some of my favourite places from Lutruwita where I grew up, walked to and visited. I will also be showing some of my favourite places I have visited in South Australia. There will be some quite large canvases to some medium canvases telling stories of travelling across mina trounter and neena trounter.

Pardaggennur

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

recENT EXHIBITIONS

CLARKE & VADASZ

GREG CLARKE AND LOUISE VADASZ

Experience the joyous paintings of life-long friends and art school contemporaries, Louise Vadasz and Greg Clarke at this year’s Adelaide Fringe. Both artists share a love of painting colourful landscapes and still life drenched in light.

Greg Clarke, who was the Director of the Adelaide Fringe (2011-2015) and Creative Director of the Sydney Gay & Lesbian Mardi Gras (2017-2019) now lives in a subtropical rainforest on the mid-north coast of NSW, where he is focused full-time on his art practice.

Louise Vadasz is a South Australian artist renowned for her stunning impasto paintings of still life and abstract landscapes of the Fleurieu Peninsular painted in rich vibrant colours.

TO PURCHASE ANY WORKS PLEASE EMAIL

hello@fleurieuarthouse.com.au

TWO FRIENDS, TWO DIMENSIONS

TERRY JOHNSON & JOJO SPOOK

GALLERY 2

BODIES & FICTIONS

VIRGINIA RYAN

TOTEM BY UNION STREET SCULPTORS

UNLIMITED EXPERIMENTATION

BY HENNY VAN DEN WILDENBERG

SPROUT EXHIBITION

by ANNA SMALL & WARREN PICKERING

FLOURISH

A GROUP EXHIBITION

 

THE THERAPEUTIC ARTIST

 

CORNUCOPIA OF ART

FEB 18 to MARCH 19

cornucopia /ˌkɔːnjʊˈkəʊpɪə/ noun - “an abundant supply of good things of a specified kind.”

A Cornucopia of Art celebrates the diversity of contemporary South Australian talent.

Bringing together some of the most exciting artists from the region with works which respond to the immediate environment, to landscapes in SA and beyond and to the personal experiences of the participating artists.

To There and Back by Ken Bonner

JAN 14 to FEB 12

RECONNECT A MINDFUL PHOTOGRAPHY EXHIBITION WITH ARTWORKS COMMUNITY INC

ARTHOUSE STUDIO ARTISTS CHRISTMAS EXHIBITION

POETRY OF THE EARTH

MICHAEL JEFFERY

SALA FESTIVAL 2022

a picture of a room with a black wall

CLOSER TO HOME

Rosemary Gartelmann and Lyn Robins

THE PAINTERS OF THE FLINDERS RANGES

Since 2002 the Painters of the Flinders Ranges have evolved into an eclectic group of professional artists with varying styles and using many different mediums.

Through their  paintings they are able to share their emotional response to the awe inspiring landscape known as the Flinders Ranges, world renowned for its ancient and rugged terrain and for the flora and fauna specific to this region.

LIT

by Warren Pickering and Anna Small

LIT is an exhibition by Warren Pickering and Anna Small of A Small Art Factory. Enlighten your visual senses with the new metal art works that transform into light works in the dark. We can have 30 people at a time in the in the exhibition room and will ask you to be mindful to keep the required social distance from people that are not in your immediate group.

In this exhibition the aim is to explore light, movement and texture. Taking inspiration from nature and the everchanging world around us. Each piece is hand-drawn with engineers chalk onto the metal then cut with a hand held plasma. Even though each piece is designed to ‘change’ with the introduction of light, it is equally a celebration of the dark.

 

GILBERT’S GARDEN - GILBERT DASHORST

Gilbert Dashorst

“When I got the position as the Scientific Illustrator, specializing in the field of Botany, at the State Herbarium of Adelaide and Adelaide Botanic Gardens in 1983, a whole new world opened up for me, the World of Plants.

Whilst recording the plants macro and micro views for the Botanists, I discovered plants’ individual uniqueness.

In this exhibition entitled ‘Gilbert’s Garden’ I have chosen plants that I grow in my garden and I have depicted them in the fine detail I was required to execute for the Herbarium.

I hope through viewing these paintings and drawings you can experience the wonder of the variety of plants in my Garden.”


THE SPACE BETWEEN US: FINDING OUR WAY BACK TO THE PRESENT TONY WILSON

tony wilson

Tony Wilson’s current body of work builds on his ongoing exploration of ‘spaces between’.

Travel is an integral part of Tony’s creative practice, and has recently physically retraced his Italian lineage, through an artist residency in Italy.

This new body of work is an expression of his internal and creative explorations of home, undertaken during this and other travels.

Each piece charts his crossings over spaces: across countries, across time, over waters and between cultures, a mapping of self, spirit, culture and home, of the spaces that divide and connect us all to each other and to ourselves.


MY COUNTRY, MY IDENTITY
SASHA HILL

Sasha Hill’s body of work is a direct expression and transmission of the cultural potency of Country.

Thousands of years of history is embedded in the works, articulating the intergenerational nature of her cultural identity.

The work, placed in a Western exhibition space, allows the audience entry into a tiny slice of Sasha’s inherited spiritual and ecological world views, centred in and emanating from Country, passed down to her by the matriarchs in her family.

Sasha’s cultural role as artist and matriarch, seen through the action of placing paint on canvas to re-tell ancient stories, activates her responsibilities to pass on her inherited systems of living and being.